Skip to main content

It's Christmastide at St. Norbert's Catholic Church....

obviously....


There's the woman who is in choir just for the purest fun of singing. Her simplistic bliss infectious. Another is trying to dirgedly lead others in her section to the Path of Right Notes. The second-in-command is haughtily bored, while the littlest chorister in front closes her eyes in obvious self-rapture. There are those who are COMPLETELY clueless (tenors consist the majority of this group), and those who wish they were. A leader tries, in vain, to show his tiny 2-man section a glimmer of a hope of an idea of what is going on. The blind girl rolls her non-existent eyes at the mistakes her trapeze artist comrade leads her into, getting more frustrated at every misjudged leap. Her face, now frozen because of so much scowling, will make her laugh later. Now however? ...the spicy Latina Grama in the first row, though, I think has finally come to a musical catharsis, where everything now makes sense. The leader behind her smiles pontifically, at least outwardly inattentive of every half- and three-quarter toned error until the blatantly obvious and soured dissonance glazes her eyes over and purses her lips together, seemingly without her permission. We have a new French horn player, though I have a hard time believing that he will be playing with us again. Now I know frenchies can curdle a chord, which is supremely interesting. The tympani has his kettles perfectly tuned... Almost. Well, all but one, and that only a 1/2-tone sharp. But t is before noon, and one can certainly not expect a percussionist to be godly before then. The trumpets, however, only occasionally bump into each other on their celestial flight through the music that rises above an "A." The conductor, though, remarkably keeps a relative cool through the true-heartedness of the performers' zeal for Try.

Comments

Popular posts from this blog

Far too long, but jumping back on the boat

So, I just sent in my application for The Metropolitan Opera. It's unlikely that I'll get it, but I simply would like to be invited to audition. Lol, I feel like I've been out of the game for so long, it makes me worried that maybe it's been TOO long. I'm too old for the Young Artist Programs, now. I've been out of practice for almost 10 years. I've gained weight. I simply don't exude the characteristics of what I consider an artist anymore. But you know what? No time like the present to jump back on. Slowly but surely, I've been sending myself out there for auditions, small roles, little projects, just things that I can put under my belt, projects I enjoy, and theatre that I think is worthwhile. I still have that big dream out there though. Singing for cruise ships, doing studio work, getting background tour gigs. I don't want the limelight. I just want to get paid to sing and pay my cell phone bill, lol! So I'm going to restart this blo...

The Opera

PART TWO "5 minutes to the end of Act 1, 5 minutes to the end of Act 1. Thats places for chorus, Childrens' Chorus, and Supers. Places for Chorus, Childrens' Chorus, and Supers. 5 minutes to the end of Act 1." We hear Mary Yankee Peters call over the intercom. The scrape of chairs and laughter at how stifling it is fill the air. We smile and encourage each other on, dirty jokes and friendly "pats" not withstanding. As we all file in to the main hallway and onstage, the Supers and Childrens' Chorus swarm up from the basement creating a melding of people, all dressed and ready for Christmas Eve in Paris 1800-and-something. I slip out to onstage, since my shopping basket is sitting out on the prop table for me. The children are lined up right in font of the door, just in between the prop table and where a very large piece of set will go during the scene change. I walk around their double line, and meet Ned, the Prop Master on the other side of the tabl...